The Pop Culture Lens is a scholarly podcast hosted by myself and Dr. CarrieLynn Reinhard of Dominican University. In each episode, we seek to offer fresh perspectives on past media as we attempt to determine whether or not it holds any relevance to the contemporary sociocultural experience. We structure the podcast so the format loosely resembles an academic paper, but we present the information in a way that everyone can understand.
This is a revised and updated version of a short paper I wrote for Dr. Paul Booth‘s class on Fandom and Active Audiences that took place during the Autumn 2012 quarter at DePaul University in Chicago, IL.
FAN ACTIVISM AND DIGITAL PROTEST
According to Jennifer Earl and Katrina Kimport (2009), protest tactics have diffused across movement societies, and thus have become normalized as a way of addressing both political and non-political issues. They explain that traditional protest tactics and schemas have been used to address a variety of consumer-based and culturally-oriented claims, and that fans have adopted these tactics to address issues surrounding the properties that are the focus of their fandoms. This phenomenon is summed up by John L. Sullivan, who writes that “fans can be mobilized to press producers and media corporations for changes (or, as is more often the case, to prevent changes from coming about in a favorite media text)” (2013, p. 196).