Conferences and papers

Untitled

Presentations of Refereed Papers

International

Reinhard, C. D. & Olson, C. J. (2016, June). “The Convergent Nature of Professional Wrestling: The Convergent Identities, Practices and Experiences of Sports Entertainment.” The Wrestling Symposium, Aberystwyth, Wales.

Reinhard, C. D. & Olson, C. J. (2013, March). “Answering the Whats, Hows and Whys of Film Spectatorship: An empirical investigation and comparison of film reception.” Society of Cinema and Media Studies, Chicago, Illinois.

National

Reinhard, C. D. & Olson, C. J. (2016, March). “The Convergent Nature of Professional Wrestling: The Convergent Identities, Practices and Experiences of Sports Entertainment.” Popular Culture Association/American Culture Association, Seattle, Washington.

Olson, C. J. & Reinhard, C. D. (2016, March). “Possessed Women, Haunted States: Cultural tensions in exorcism cinema.” Popular Culture Association/American Culture Association, Seattle, Washington.

Olson, C. J. (2013, April). “Gangstas, Thugs, Vikings and Drivers: Depictions of masculinity and the search for manhood in the films of Nicolas Winding Refn.” Popular Culture Association/American Culture Association, Washington, DC.

Regional

Reinhard, C. D. & Olson, C. J. (2016, October). “Gendering Hatsune Miku: Networked gender and the co-construction of identity for vocaloids.” Midwest PCA/ACA, Chicago, Illinois.

Olson, C. J. (2016, April). “Appropriation, Recontextualization, and the New Globalized Identity: Sukiyaki Western Django as a Representation of Transcultural Identity.” Central States Communication Annual Conference, Grand Rapids, Michigan.

Olson, C. J. & Reinhard, C. D. (2015, April). “A Computer Boy or a Computer Girl?: Adventure Time, BMO and the Networked Gender.” Central States Communication Association Annual Conference, Madison, Wisconsin.

Olson, C. J. (2014, October). “‘I Don’t Belong in the World’: Carnival of Souls and Emergent Feminism in the Early Half of the Sexual Revolution.” Midwest PCA/ACA, Indianapolis, Indiana.

Olson, C. J. & Reinhard, C. D. (2014, October). “Feminist Tensions in Exorcism Cinema: Case study analysis and comparison of The Last Exorcism and The Last Exorcism Part II.” Midwest PCA/ACA, Indianapolis, Indiana.

Olson, C. J. (2014, April). “Gender-bending in Adventure Time: A Postmodern Text Encouraging Cross-generational and Cross-gendered Reception.” Central States Communication Association, Minneapolis, MN.

Olson, C. J. (2013, October). “Down the Rabbit Hole, Into the Fallopian Tree, and Through the Vaginal Tunnel: Fantasy, Fairy Tales, and Female Sexuality in Spirited Away, Pan’s Labyrinth, and Coraline.” Midwest PCA/ACA, St. Louis, Missouri.

Olson, C. J. & Reinhard, C. D. (2013, October). “I AM the Doctor: Polysemic rhetorical flexibility and non-traditional audience reception in Doctor Who.” Midwest PCA/ACA, St. Louis, Missouri.

Local

Olson, C. J. & Reinhard, C. D. (2014, March). “A Computer Boy or a Computer Girl?: Adventure Time, BMO and the networked gender.” The Sixth Annual Joint Gender & Women’s Studies Conference, River Forest, Illinois.

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